This carved Tsangui mask originates from the Punu people of southern Gabon, a region renowned for its sculptural traditions and expressive ceremonial forms. Masks of this type are characterised by their arched brows, delicate features, and the distinctive white kaolin-coated surface, which symbolises purity, peace, and a connection to the ancestral spirit world.
Traditionally used in rites of passage and ceremonial dances, Tsangui masks were worn with full raffia costumes and performed in elevated, graceful movements. This example, dating to the early 20th century, is carved from wood and finished with kaolin clay and pigment. It is presented on a custom stand that enhances its sculptural presence and highlights its ritual significance.
Provenance: Galerie Flak, Paris; Private Collection of Pen Kent, former Governor of the Bank of England
Origin: Gabon, Central Africa
Date: Early 20th Century
Medium: Wood, kaolin clay, and pigment
Dimensions (mask only): 30cm height × 17.5cm width × 18.5cm depth
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This carved Tsangui mask originates from the Punu people of southern Gabon, a region renowned for its sculptural traditions and expressive ceremonial forms. Masks of this type are characterised by their arched brows, delicate features, and the distinctive white kaolin-coated surface, which symbolises purity, peace, and a connection to the ancestral spirit world.
Traditionally used in rites of passage and ceremonial dances, Tsangui masks were worn with full raffia costumes and performed in elevated, graceful movements. This example, dating to the early 20th century, is carved from wood and finished with kaolin clay and pigment. It is presented on a custom stand that enhances its sculptural presence and highlights its ritual significance.
Provenance: Galerie Flak, Paris; Private Collection of Pen Kent, former Governor of the Bank of England
Origin: Gabon, Central Africa
Date: Early 20th Century
Medium: Wood, kaolin clay, and pigment
Dimensions (mask only): 30cm height × 17.5cm width × 18.5cm depth
+ Shipping Info
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